• Skylar Spence

    Skylar Spence

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    ‘Pop Music for Freaks’ is how Spence sums up his music and there isn’t a better way to describe it.  His own brand of glitch heavy electro brings infectious Disco kicking and screaming into the 21st Century, shaving off it's afro and throwing away the sparkly platforms in favour of sleek indie beats. Rising from vapourwave obscurity as his soft drink conglomerate infuriating alias, Saint Pepsi, vocalist and producer Ryan DeRobertis became Skylar Spence gaining recognition and respect for his pioneering of 'future funk'.

     

    What with signing to Carpark Records alongside the likes of Beach House, Toro y Moi and Cloud Nothings, and receiving 7/10 from the extremely tough to please, Pitchfork for his 2015 album 'Prom King'; Spence has become as much a hit with the critics as with music fans worldwide.

     

    Stereogum has called him ‘the ego trip headrush our generation deserves’ it’s hard not to love the contagious energetic dance that Spence exudes so pasionately.

  • Artist
    Blossoms

    Blossoms

    Creating some of the catchiest indie tracks of the decade so far in a Stockport scaffolding yard: the Northern lads with a Sixties soul channel the spirit of nostalgic Pop with their whimsical indie anthems.If you like resonating synthesizers, rock n roll guitar riffs and a good manc twang to top it all off then you won't be able to resist Blossoms.

     

    Finding  themselves supporting everyone who's anyone from the likes of The Libertines and Courteeners to Paul Weller and The Charlatans whilst being championed by everybody from Radio 6 to NME: the band well and truly blew up in 2015. Being named fourth in BBC's Sound of 2016 and 'One to Watch' by MTV, The five piece have everything it takes to be the new heirs of the Manchester Indie dynasty channeling the swagger of the Gallaghers whilst being able to back it up with their deliciously infectious songwriting that resonates like a good ol' Stone Roses track..

     

    With a huge headline tour in 2016 the boys have already gathered a religiously devoted fanbase who are sure to snowball into a monumentous cult willing to fulfil the bands every desire. Blossoms are set to be huge!
  • Artist
    Cerebral Ballzy

    Cerebral Ballzy

    From the seedy underbelly of Brooklyn come Cerebral Ballzy, a volatile cocktail of teeth-baring intensity and nerve-shredding energy, five New York tearaways more accustom to the city’s dive bars than it’s yuppie coffee spots. After a couple of years bubbling under the surface, with a new label and a new record, 2014 will mark the year that Ballzy make their next step in solidifying their cult Post-Punk status.

    Born in the late Noughties, the band quickly developed a reputation for notorious live shows, with snarling frontman Honor Titus acting gang leader as much as vocalist. This no-fucks-given attitude saw him shoot to the upper echelons of NME’s annual Cool List in 2011, the same year in which they delivered their razor sharp self-titled debut record.

    Never ones to take the easy way out, Ballzy spent the next few years cooped up in the back of the van, touring the record ‘til there wasn’t a corner of North America or Europe untouched, taking in club shows, festival stages and basement parties in equal measure, no stage exempt from being torn to shreds. After a year’s absence the band returned to the UK in 2013, with two chaotic sold out nights at London sweatbox the Old Blue Last in prep for storming sets at this year’s Reading and Leeds festivals. The band end the year by headlining the NME Radar Tour.

    After spending months holed up in the studio with uber-producer / TV on the Radio alum Dave Sitek, 2014 sees the release of the band’s sophomore record on fellow NYC luminaire Julian Casablancas’ Cult imprint.

  • Artist
    Saint Motel

    Saint Motel

    Saint Motel are everywhere right now thanks to their utterly brilliant latest single 'My Type' which here at Sentric we've managed to sync on various UK TV adverts and promos including the Phones 4 U campaign which you can see over on the 'Recent Syncs' section of our website.



    With a saxophone hook catchier than the clap during fresher's week, My Type sums up the LA based four pieces' sound perfectly; 'dream pop'. With a new album in the works after recently signing with Parlophone, if the guys can carry on as they've started with tracks like that, Puzzle Pieces and Ace In The Hole then we're in for something pretty special.

  • Artist
    Crushed Beaks

    Crushed Beaks

    Since the release of their well-received ‘Tropes’ EP last year, South London duo Crushed Beaks have largely eschewed live shows to concentrate on writing and recording their eagerly-awaited debut album.

     

    Originally holed up – quite literally – in a Shoreditch basement, they began work on songs that would eventually make up ‘Scatter’. In a room with no natural light, and no particular deadline set, endless reams of demos were concocted and discarded until some started to bubble up to the surface.

     

    The tightly-woven melodies that initially set them apart from their peers remain intact, with chords now struck with sharper precision and hooks hitting the listener with greater immediacy. Meandering guitar lines drift in and out of focus on opener ‘April’, until the album explodes into life with thunderous drums and cymbals.

     

    Such sonic growth has seen the band outgrow their twopiece set-up, with Scott Bowley joining the band to flesh out their sound with bass guitar and vocal harmonies and recreate the album’s more ambitious moments for the live setting.

     

    From their debut single of ‘Sun Dogs’ and follow-ups ‘Grim’ and ‘Breakdown’, right through to their first EP last September, Crushed Beaks have already attracted much acclaim from blogs, print and radio alike; garnering rave reviews from BBC 6 Music, XFM, NME, The Independent, The Times, Loud and Quiet, Dazed and Confused, Noisey and more. ‘Scatter’ now looks certain to take Crushed Beaks to the next level, without the group surrendering the foundations on which they were formed.

  • Artist
    JAWS

    JAWS

    JAWS have been at the forefront of a new wave of fresh indie sounds since the beginning of 2012. The year where their demo track 'Cameron' began circulating online, creating quite a buzz amongst the blogs.
    Their music is anything but a buzz though, creating soft soundscapes that are pleasant on any ear. The 405 describes their music as "hazy, honest, and atmospheric, with just enough of a pop edge to make it instantly accessible."

     

    After this early attention the band opted to, over the next couple of years, hone their sound and release a steady stream of hook-laden and increasingly impressive singles. They are consistently touring across the UK playing sold out shows to ecstatic audiences who you are likely to find singing back the lyrics to JAWS' now familiar favourites.

     

    2014 saw the band release their debut album ‘Be Slowly’ which featured singles including 'Think Too Much, Feel Too Little', ‘Gold’ and the title track ‘Be Slowly’. The songs displayed are more mature, refined sound bringing together the romantic, wide-eyed swoon of new new-wave, shaggy slacker antics and melodies shaped by timeless guitar pop. At the same time the record contains a healthy blast of much needed sunshine and washed out, rollicking new-wave tinged indie rock, perfect for the festival tents the band have graced over the past couple of summers.

     

    This year JAWS will be embarking on yet another UK tour, continuing their industrious attitude by playing as many shows and recording as many songs as they can, undoubtedly to the joy of their burgeoning mass of fans.

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